Hgtv bang for your buck full episodes Nineteenth-century gem: the glessner house dollars tradition

Hgtv bang for your buck full episodes Architectural history is full of architects whose talents have been preferred after they were alive, however only a few who've a mode named after them. Henry Hobson Richardson (1838-1886) is one who does. He is best possible known for Trinity Church (1877) in Boston, but his John J. Glessner House (1886) in Chicago is the most productive example of Richardsonian taste.

Instead of the Victorian decoration that prevailed on the time, Richardson opted for simplicity and solidity via rough and heavy stone walls. Architectural critic Lewis Mumford, in his 1931 e-book Brown Decades, describes Richardson as an early modern architect, partially because he carried out the same degree of architectural skill & taste to various building sorts: Churches, libraries, properties and even railroad stations have been suitable canvases for his Romanesque style. It was once common for railroad stations, for instance, to be designed by engineers, relatively than architects, and for positive public buildings to be finished in a selected neoclassical style. Richardson went against this custom.

Richardson designed the Glessner House on Chicago's then-fashionable South Side for businessman John Glessner, wife Frances & their youngsters, George & Frances. The family occupied the property for five many years, then bestowed it to the American Institute of Architects so it is usually preserved. Today the National Historic Landmark is run as the Glessner House Museum and is open for tours and occasions. John J.

Glessner House at a GlanceYear constructed: 1886Architect: Henry Hobson (H. H. ) RichardsonLocation: ChicagoVisiting data : Tours available yr-roundSize: 17,000 square toes, cut up more or less among the family's space & the servants quarters. Images from Historic American Buildings Survey, Library of Congress Prints and Pics Division Shunning Victorian frills, this 17,000-sq.

Foot home celebrates stone, wood and idiosyncrasy.

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